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Water

noon-reflections

Acrylic on canvas
18" x 22"

Rock pools

Acrylic on paper
22" x 30"

Rock Pool

Acrylic on canvas
44"x62"

Pond

Acrylic on canvas
56" x 70"

before-the-marsh

Acrylic on canvas
22" x 18"

Rain

Acrylic on paper
22" x 30"

daybreak

acrylic on canvas
18" x 22"

Pond-landscape

Acrylic on paper
30" x 22"

Rock-and-water

Acrylic on canvas
44" x 60"

on-the-water

Acrylic on paper
22" x 30"

Dock

Acrylic on canvas 52" x 72"

Waterscape

Acrylic on canvas
20" x 24"

Rocky Cove

Acrylic on paper
22" x 30"

Shallows

Acrylic on canvas
44" x 60"

Water-surface-2

Acrylic on paper
22" x 30"

Seascape 3

Seascape 2

Seascape 1

Fresh Pond 2

Acrylic on canvas
44" x 60"

Garden 3

Acrylic on canvas
16" x 20"

Seeing without naming, understanding before recognizing, discovery instead of knowing.

The objects of the world and the objects in art share the possibility of being perceived before they are categorized in our mind, to delay the naming of things so that you can see it. The purpose of expanding this usually brief period of analytical confusion is so that we can experience something independent of the meaning we attach to it and in doing this, for that short time, we may also understand that the viewer and the viewed are aspects of the same substance.

The place between abstractions and representation, where abstraction can give way to representation and vise versa where the perceptual ambiguity can be attenuated is what I am exploring in painting. Giving this experience time, space, and place allows familiar things to be seen anew. This is the root of imagination and it is how we imagine our world into existence.

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